{"id":1540,"date":"2016-05-10T13:24:36","date_gmt":"2016-05-10T11:24:36","guid":{"rendered":"http:\/\/bettinakhano.de\/start\/?p=1540"},"modified":"2016-05-10T13:24:36","modified_gmt":"2016-05-10T11:24:36","slug":"berlinbritzenale","status":"publish","type":"post","link":"http:\/\/bettinakhano.de\/start\/berlinbritzenale\/","title":{"rendered":"\u203aBERLINBRITZENALE\u2039"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/bettinakhano.de\/start\/wp-content\/uploads\/2016\/05\/save-the-date.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-1541\" src=\"http:\/\/bettinakhano.de\/start\/wp-content\/uploads\/2016\/05\/save-the-date-785x522.jpg\" alt=\"save-the-date\" width=\"785\" height=\"522\" srcset=\"http:\/\/bettinakhano.de\/start\/wp-content\/uploads\/2016\/05\/save-the-date-785x522.jpg 785w, http:\/\/bettinakhano.de\/start\/wp-content\/uploads\/2016\/05\/save-the-date-300x199.jpg 300w, http:\/\/bettinakhano.de\/start\/wp-content\/uploads\/2016\/05\/save-the-date.jpg 1800w\" sizes=\"auto, (max-width: 785px) 100vw, 785px\" \/><\/a><\/p>\n<p><i>The <\/i><b><i>BerlinBritzenale <\/i><\/b><i>2016 dedicates itself to\u00a0<\/i><i>contemporary art in the semi-public space.<\/i><\/p>\n<p style=\"color: #2c2728;\"><i>14 artists embark on this quest in a 400m<\/i><i><sup>2 <\/sup><\/i><i>large garden plot in the garden colony \u201cMorgentau\u201d in Berlin-Britz.<br \/>\n<\/i><i>Fences are elementary objects for allotments, as they describe the visible and sometimes insuperable separation between the private own, the neighbors and the public space. This demarcation and security is of great importance for the functioning of an allotment, which also explains the high density of flags and rims inside the garden colonies.<br \/>\n<\/i><i>The BerlinBritzenale wants to highlight, among other things, these territorial claims artistically and to open the garden for visitors. The well-known stereotypes of allotments, the behavior of the tenant farmers and the specialty about gardening and harvesting is examined under the magnifying glass.<br \/>\n<\/i><i>The BerlinBritzenale is made possible through the commitment of the participating artists and curated by Christof Zwiener.<\/p>\n<p><\/i><!--more--><\/p>\n<p style=\"color: #2c2728;\">Die <b>BerlinBritzenale <\/b>2016 widmet sich der\u00a0zeitgen\u00f6ssischen Kunst im halb\u00f6ffentlichen Raum.<\/p>\n<p>\u00a014 K\u00fcnstlerInnen begeben sich hierf\u00fcr auf eine Spurensuche in eine 400m2 gro\u00dfe Gartenparzelle in der Schrebergartenkolonie Morgentau in Berlin-Britz.<br \/>\nZ\u00e4une sind f\u00fcr Schreberg\u00e4rten elementar, denn sie beschreiben die sichtbare und manchmal un\u00fcberwindbare Trennung zwischen dem privaten Eigenen, den Nachbarn und dem \u00f6ffentlichem Raum. Diese Grenzziehung und Sicherung ist f\u00fcr das Funktionieren einer Kleingartenkolonie von gro\u00dfer Bedeutung, woraus sich ebenfalls die hohe Fahnen- und Flaggendichte in den Kolonien erkl\u00e4rt. Die BerlinBritzenale m\u00f6chte unter anderem diese territorialen Anspr\u00fcche k\u00fcnstlerisch \u00fcberpr\u00fcfen und die Gartenparzelle exemplarisch f\u00fcr Besucher nach Au\u00dfen hin \u00f6ffnen. Die wohlbekannten Klischeevorstellungen \u00fcber Schreberg\u00e4rten, das Verhalten deren P\u00e4chterInnen und das Besondere am G\u00e4rtnern und Ernten wird hier unter die Lupe genommen.<br \/>\nDie BerlinBritzenale wird erm\u00f6glicht durch das Engagement der beteiligten K\u00fcnstlerInnen und kuratiert von Christof Zwiener.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; The BerlinBritzenale 2016 dedicates itself to\u00a0contemporary art in the semi-public space. 14 artists embark on this quest in a 400m2 large garden plot in the garden colony \u201cMorgentau\u201d in Berlin-Britz. Fences are elementary objects for allotments, as they describe the visible and sometimes insuperable separation between the private own, the neighbors and the public [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,1],"tags":[],"class_list":["post-1540","post","type-post","status-publish","format-standard","hentry","category-exhibition-news","category-news"],"_links":{"self":[{"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/posts\/1540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/comments?post=1540"}],"version-history":[{"count":1,"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/posts\/1540\/revisions"}],"predecessor-version":[{"id":1542,"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/posts\/1540\/revisions\/1542"}],"wp:attachment":[{"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/media?parent=1540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/categories?post=1540"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/bettinakhano.de\/start\/wp-json\/wp\/v2\/tags?post=1540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}